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At stake in this exegesis is more than simply enriching the already exhaustive biographical information on Picasso or adding yet another figure to his extensive repertoire of portraits of women.

This summer, however, was different, coming as it did against the backdrop of news of increasing atrocities in the Spanish Civil War across the border and in the wake of the recent installation of his magnum opus Guernica in the Spanish Pavilion at the World Fair in Paris that June.

Sònia Villegas Barcelona: Museu Picasso, 2007 , 160.